From a Basement on the Hill (2004)
In 2001, Smith begins and ends a alternation of recording sessions with Jon Brion, which abatement afar afterwards Brion confronts him about his biologic use and self-destructive behavior. By the abatement of that year, he contacts ambassador David McConnell.
DAVID MCCONNELL [producer; From a Basement on the Hill]: I had XO, which was accustomed to me by a colleague, and I actually enjoyed it. Well, bisected of it was great. Bisected of it I was like, “Well, abundant song, but I don’t apperceive if I like the recording or the production.” And afresh my acquaintance Shon Sullivan [from McConnell’s L.A bandage Goldenboy], was arena with him live, and he arrive me out to a appearance at the Wiltern Theater. I was absolute away. It was apparently one of the best shows I’ve anytime apparent in my life. So Shon alien me to Elliott afterwards the appearance briefly.
A brace of months afterwards that show, at the end of the Figure 8 tour, he had aloof started recording with Jon Brion but, for whatever reason, he wasn’t blessed with that process, so he aperture means with Jon and got in draft with me. Aback he alleged me he was actually in Big Bear, up in the mountains, and he was like, “Man, I appetite to alpha as anon as possible, can I appear bottomward tonight?”
I could acquaint he was actually agog to get into the collapsed and assignment with a new producer, addition who was gonna do things a little added experimentally. He capital somebody who wasn’t so formulaic, who was accommodating to go bottomward the aisle of analysis with him, and I assumption he heard that maybe I would be that guy.
So I told him we should almanac in my clandestine studio, because that’s area the added alpha accessories was. I told him he was acceptable to aperture in the house, too, because we had a bedfellow room. The collapsed was beautiful; my ex-girlfriend actually endemic the property, and it was about like a compound, overlooking the Pacific Ocean. I had alleged it Satellite Park one day aback I was walking about because it acquainted like I was on the moon or on an anchor somewhere.
When he showed up, it was about 2 a.m., and he was in two cars; his adherent [Valerie Deerin] was active one car and he was active the added car, and both cars were abounding of all of his belongings. I beggarly aggregate from his apartment. I was cerebration he was gonna appearance up with a attache and a haversack and a brace of guitars, but it was like bristles guitars, a behemothic keyboard, amps, and afresh bristles accoutrements of clothes. He had toys, books, you name it. And afresh he had medication, and assorted added things.
He additionally brought all his his two-inch reels that he was animate on at Jon’s house. So we drank a brace of beers and I gave him the bout of the abode and everything, and afresh he goes, “OK, there’s a song on actuality that I recorded by myself at Jon’s abode that I appetite to keep, that I actually like. Why don’t you aloof mix this song for me and I’ll be aback in the morning.” Afresh he left. He was like, “I’ve got some errands to run appropriate now, I’ve got some actuality I gotta do.” Remember, this is 2 a.m.—well no, by now it’s 4 a.m., because we had talked about my aesthetics on recording and bearing for two hours.
So I put the reel on the apparatus and I started alert to the song, aloof by myself. And the aboriginal time I heard it, aloof accusation up the faders so I could apprehend the altered instruments and his voice, I got the chills. It was one of the best haunting, admirable songs I’d anytime heard. It clear annihilation like the music I’d heard him do before. It clear way added intricate, way added complex.
It reminded me of Rachmaninoff, but with lyrics, with a story. Sitting in there alone, I about had an out-of-body acquaintance because I knew that I was about to assignment on one of the best things I’d anytime formed on in my life. So I spent the aing three or four hours bond the song, which was alleged “True Adulation Is a Rose”. It’s a abashment because that song never concluded up on the album. He capital it to be on the album, it was one of his favorites.
So he assuredly got back, listened to my mix, admired it, and afresh he says, “Let’s alpha recording addition song.” At this point he apparently hasn’t slept in two days.
The aing clue we formed on was “Shooting Star”. He told me he capital it to accept this consciousness-expanding intensity, to booty elements of Hendrix and the Stooges, but actualize article that couldn’t be compared to anybody else. We slowed bottomward the reel, aloof slightly, so it would accept a euphoric, heavy, consciousness-expanding persona.
“Shooting Star” has three boom sets: We would do one boom take, and afresh we would bifold the drums, and afresh sometimes amateur them. If you accept carefully on headphones, you’ll apprehend the allurement drums flailing, because there are three kits activity on. He and I talked about that; I’d say “Hey, you know, this sounds great, are you adequate with accepting the snares hardly out of time?” And he was like, “Man, I adulation it.” He capital to embrace the animal affection of this sound, that was actual important for him.
He capital “Shooting Star” to be the aperture clue then. “Coast To Coast”, the opener on the anthology that got released, was addition one we formed on together. He recorded the boom advance at Sunset Sounds collapsed with Steven [Drozd], from the Flaming Lips, and the artisan Nelson Gary’s allotment at the end. He had two drummers arena animate at the aforementioned time on that, he told me, and he stood in the average of the allowance pointing at anniversary bagman to do the changes, like he was accomplishing his own adaptation of conducting.
STEVEN DROZD: I went to Los Angeles to appointment my then-ex-girlfriend and now wife: We’d been burst up for a few years and she’d gotten into a austere accord and afresh got out of the austere accord and I was aggravating to win her back. I contacted Elliott, and he said, “I apperceive of this Suboxone doctor that’s helped me greatly”—which is this biologic you booty to get off opiates—”and I’m accomplishing some recording. Could you appear bottomward and comedy some drums?”
So we aloof set up the two boom kits and played at the aforementioned time. I apperceive that you can be a abominable activity biologic aficionado depending on what drugs you’re accepting into, but to me, it didn’t assume like he was afflicted at all. He was fucking in allegation of the session. Bodies anticipate I played drums all over that record, but it actually aloof concluded up actuality one song.
DAVID MCCONNELL: From that aboriginal night, he basically confused in and concluded up active there with me for abounding months. And that’s aback we did the aggregate of the album. We’d be in my bedchamber and he’d sit on the bed and comedy me songs actually backward at night. He played “King’s Crossing” for me on his guitar one night, although that’s not a song we formed on together.
He brought his guitars, but the funny affair about Elliott is he had bristles of the aforementioned guitar, the Gibson ES-330. I never accepted it, exactly. I was like, “OK, that’s great, we can use those, but if you appetite this bigger guitar sound, I animate you to analysis out the guitars that I have.” On “Shooting Star”, he fell in adulation with this old 60s Telecaster I have. Best of the actually big guitars you apprehend on that anthology are that Telly because this guitar aloof spits at you.
He was consistently testing me. He consistently asked me what my admired albums were, and it was important that they weren’t ones that were super-produced, because his admired annal weren’t slick; they weren’t perfect. Elliott was actual determined not to use Pro Tools because he didn’t appetite to fix things. That was one of the important things I abstruse from animate with him on that record: The technically-correct achievement isn’t beautiful. It’s the achievement that can’t be replicated anytime again.
One of the things that was actually fun and formed able-bodied was, if we would bifold a guitar track, we would agilely de-tune the guitar. So for the aboriginal track, we would accomplish it a little bit sharp, and afresh for the second, we would accomplish it a little bit flat. If you played one by itself it was affectionate of upsetting, but aback they came together, all of a abrupt you’d alpha smiling.
I’d never see anyone use drugs like Elliott before. I knew I couldn’t accord him an intervention, because he’d already warned me. I knew that I couldn’t say, “Hey, you accept to leave,” because if he wasn’t with me, he’d end up about abroad which could potentially be harmful. I knew that at my abode I could at atomic watch him.
I anticipate I developed an all-overs ataxia animate with Elliott. He’s one of the best complicated bodies I’ve anytime accepted in my life. Every already in awhile we’d get in an argument, and he’d leave, and we wouldn’t allocution for a week. Afresh he’d alarm me and say, “This is stupid, let’s go get a beer and talk.” That was how the arrangement went. The aing day he’d be aback at my place. But I admired him like a brother. I wasn’t about to about-face my aback on him.
It got the point aback he actually bare his own abode to accomplishment the record, so I helped him put calm his New Monkey studio, and afresh connected to assignment with him there. That went on for months and months, and afresh we affectionate of absent track. That was basically the aftermost year of his life.
LOU BARLOW: I was seeing him added generally about that period, too. He was talking about not accomplishing as abounding drugs. He had been through a actually bad aeon and the atom was affectionate of advancing back. He was in this actually camp aeon area he was bathrobe like Willie Nelson—he would abrasion these aberrant cottony pants with adornment bottomward the ancillary and long, abounding shirts. But afresh he started to attending like Elliott again.
He was accumulating so abundant accessory at that time, too. He was on eBay constantly, managing a bulk of auctions. This was for his studio, New Monkey, that he was architecture in North Hollywood. This guy who was arena drums in the Folk Implosion was additionally artful heavily to be in Elliott’s bandage and blind about Elliott constantly. Every time he’d adhere out with him, he’d appear aback with a altered allotment of equipment, like, “Yeah, Elliott handed this to me.” “What? That’s a $750 accoutrement for Christ’s sake!” All of this actuality of Elliott’s started accumulating in my convenance space. “Wow! Area did you get that bass?” “Oh, Elliott gave it to me aftermost night.” “Really? That’s a $2,000 bass.” He would aloof be actually aerial and acquaint the guy, “Yeah, you should booty it.”
AUTUMN DE WILDE: As a photographer, I fabricated a accommodation not to certificate that time period. That’s not the affectionate of artisan I am. I don’t adjudicator addition who does that at all, but that was not what I was there for. Afterwards that point, I was there as his acquaintance until I wasn’t accustomed as his friend. I apperceive he admired me a lot, and I admired him a lot, but it’s not the aforementioned person. Everybody who was a aing acquaintance basically had to say goodbye twice.
JJ GONSON: I talked to him on the buzz about ’99, and he was a mess. I hadn’t announced with him in a actual continued time, because I had to say, “I can’t be in draft with you anymore.” The aftermost affair he said to me was, “I’ll address you a letter.” Which of advance he didn’t do.
He austere every arch that he crossed. He didn’t aloof say, “Look, I charge a break.” He took a machete, chopped you into tiny little pieces, caked array acerbic on it, afresh added alkali and set you on fire. He did this painful, aching ripping himself abroad from bodies affair to assure himself. He actually believed, I think, that he was accomplishing the appropriate affair for added people. He had assertive himself that the apple was bigger off not accepting him in it, for added people.
On October 21, 2003, Smith dies in an L.A. hospital at age 34 afterwards adversity two ache wounds to the .
ROB SCHNAPF: He had been calling me the anniversary afore [his death], and was like, “Hey, I appetite to comedy you what I accept for my record.” I didn’t alarm him back. I didn’t apperceive if I acquainted like ambidextrous with it.
When our son was built-in in 1999, we got a buzz alarm in the hospital allowance about midnight. It was Elliott. He was like, “Hey, would it be OK to appear and adhere out?” So he came bottomward and he was there all night. We wandered the hospital, aloof blind out. It was actually air-conditioned that he capital to appear allotment that appropriate time with us. Sonny was built-in at eight in the morning; four years later, Elliott dies on [Sonny’s] birthday. We were advancing aback from demography Sonny to see some big IMAX rocketship thing, and I get a buzz alarm from Luke Wood saying, “Hey, accept you heard any rumors?” I was like, “No, why?” He said, “I aloof heard one that wasn’t good.”
MARGARET MITTLEMAN: I bethink Sonny bopping about the backyard in his spacesuit. We were aloof accepting a ancestors day. It was so camp because I had acquainted so removed. Somebody alleged Rob. I didn’t get the call. That fabricated me feel alike worse.
ROB SCHNAPF: It was actually devastating. It’s one of those things: You apperceive one day your parents are activity to die, and afresh they die, and it’s still devastating, no amount how abundant you’re able for it. A lot of bodies said, “Well, you must’ve not been surprised.” But I was still fucking surprised.
AUTUMN DE WILDE: He died on my birthday, which has annihilation to do with me except it happened to be my birthday. Afresh every altogether that follows, there’s a aeon of aching and a little anguish and I’m thinking, “Am I actuality actually dramatic?” Allotment of what helps is apperception him bedlam at me and aloof actuality like, “C’mon, dude. This isn’t a cine about your activity area the perfect, crazy affecting catastrophe is on your birthday.”
STEVEN DROZD: We were in Seattle arena the aftermost appearance of a bout aperture for the Chili Peppers, and a actual baby allotment of the army cared about seeing us. We begin out that night. It was aloof awful. I’m gonna alpha arrant aloof cerebration about it now. It was aloof so brutal. It fucked me up because I went to a bar in Seattle to try to escape, and afresh anybody in the bar is talking about it. Bodies were visibly upset, crying. It was crazy.
DAVID MCCONNELL: I wasn’t complex in the achievement of [From a Basement on the Hill], which was interesting, because Elliott and I had already alloyed several songs for the anthology that were done. Afterwards his death, the ancestors took over and brought in some actually accomplished folks, but they hadn’t been about for the process, so they didn’t actually apperceive the affairs he had for the record. I anticipation it was odd. I don’t accusation them, but I anticipate they apparently acquainted afflictive including me in the action because they equated me with that allotment of his activity aback he was application and not at his best. Maybe they anticipation that I was one of the bad guys. I actually don’t know, I can’t allege for them. But it was adverse because there are abounding things that are altered than what he capital and planned for on that record.
Here’s article I anticipation would accept been groundbreaking: Two songs—”A Passing Feeling” and “Shooting Star”—were gonna be alloyed in address all the way up until a assertive point area they’d aperture into stereo. We alloyed those two songs that way, and there were moments aback we cried alert to them. The appulse was so profound. Anyway, the ancestors never begin those mixes for whatever reason. Also, the actuality that it’s missing two of the best songs is too bad. One of them is “True Adulation Is a Rose” and the added one was alleged “True Accompany / See You in Heaven.” It’s not that I’m absinthian about that stuff, I aloof anticipate the almanac would accept been alike added impactful. But I wasn’t activity to stick my adenoids in the family’s business. They had aloof absent their son and they were grieving. It wasn’t my abode to do that.
ROB SCHNAPF: Dave [McConnell] was affectionate of an . I consistently approved to be actually beeline with him. Elliott chock-full animate with him—I don’t apperceive why—and he aloof acquainted like he knew actually what Elliott wanted. Afresh he talked $.25 about me in the columnist afterwards anytime talking to me.
Elliott’s sister [Ashley] had all the advice and she had been talking to Elliott a lot. She acquainted like she had a acceptable compassionate of area he was going. There was one song, “Abused”, that the ancestors didn’t appetite on the album. Afresh there was addition song alleged “Suicide Machines” that I anticipation was aloof allurement for agitation if we included it. We aloof went through what was completed and formed off a array of projected clue adjustment that Elliott had. There was actuality that wasn’t finished, too. I don’t alike bethink the names of the songs. I’d heard rumors about all this added material, but we never begin it. I never heard it.
I had not formed on a friend’s almanac who had died before. It was awe-inspiring to apprehend him be actual animate on those tracks. You would apprehend him go, “Let’s do this.” You’d apprehend him booty a drag, inhale, draft out. You’d apprehend the piano stool creak, and you’d think, “He’s alive.” It was awe-inspiring because, with all that stuff, you wouldn’t commonly anticipate about it, like how you don’t apprehension the hum of the refrigerator until the abode is actually bashful and it’s three in the morning.
I was acquisitive for it to be a abrasive release, animate at the aforementioned time it was never activity to be how he planned it, because he wasn’t there. All you could do was try; it was bigger than silence. It was absolute and agitative on one hand, but the affair that agitated me was account criticism about it that was unfounded. What were the options? Would you adopt to never apprehend the record?
People were adage of that album, “Oh, I like this version better, I admired the aboriginal versions better.” What? There was annihilation different. We didn’t do anything. I didn’t almanac anything. I took what was there and alloyed it. So all those things that are changing are to be that way. Unresolved.
It’s a cool, admirable record. He wrote it aback he was alive. He didn’t address it aback he was dead, he didn’t address it afterwards a suicide, or afterwards a murder, or whatever the fuck happened. Aback he was autograph it, he still capital to animate his life.
DORIEN GARRY: There was a amplitude and a time afterwards he died aback I about affected myself to accept to him a lot at home, alone, aggravating to process. It was a little bit cathartic. But now it’s the opposite. I can’t alike accept to it. I’ve been at a coffee boutique a brace of times aback it’s appear on and it’s a adamantine few account to get through. I achievement that changes. I assurance that it will. I anticipate I’ll go through addition beachcomber of affliction area I can accept to him and not feel like I absence him.
ROB SCHNAPF: There was a lot of crassness and a lot of black behavior from bodies who were allegedly his friends. But the absorbing affair is: This is how history is written. The ones who were there aren’t consistently the ones who speak. But if bodies are activity to go aback and use this as a reference, afresh it should be truthful.
He would accept had a abundant career. He would be on his own appropriate now. He’d be like Wilco, he’d be able to do whatever he wants. He wouldn’t charge the business. He wouldn’t charge it at all.
I don’t actually accept to the records. Elliott still makes me sad, to be altogether honest. I adore it in little bits, but I end up in this accurate place, so.
JJ GONSON: Aback I absitively I bare to shut off, I actually shut him off. I never heard From the Bottom of the Hill, whatever it’s called. I don’t apperceive his new songs. I actually don’t alike accept to the old stuff.
LOU BARLOW: There was an ATP appearance at the Queen Mary that he was meant to play, like beneath than three weeks afterwards he died and his adherent [Jennifer Chiba] was like, “We’re gonna accept a appearance anyway. It’s gonna be a tribute.” She approached me, like, “I appetite you to sing, because Elliott would’ve capital you to sing.” So I sang with his bandage and we did the set that he was meant to do. It was weird. I affected I was terrible, because no one anytime said annihilation about it, or maybe everybody was aloof cool out. It was such a aberrant time.
AUTUMN DE WILDE: A agglomeration of us were tricked by journalists at the beginning, that’s why everyone’s appealing annoying about it. That was like an absurd aperture of trust, and there was a abundant blackout for a continued time, from all of us.
But the accident of any acquaintance takes a continued time to heal. And afresh aback you’re administration that acquaintance with bodies who didn’t apperceive him—which is absolutely accomplished and amazing, because I would like anybody to apperceive who he was, and I ambition they could accept sat with him—it’s alike weirder. Aback you acquaint bodies that you feel actually sad about your grandma dying, they go, “Oh shit, I’m sorry.” But aback it’s addition famous, generally you don’t say it, because anon you worry: Does it assume like I’m name-dropping? So on top of aggravating to alleviate from accident a friend, you’re aggravating to administer all the babble in your head: What are my affidavit for bringing this up appropriate now? Is it to say that I knew him? Am I now that actuality arrant in accessible so that they can say they knew him? Like, what the fuck?
LUKE WOOD: I accept not announced about Elliott back his death. I batten to abounding bodies the anniversary he passed, but that was about aggravating to accurate how able he was, aggravating to clear my thoughts of him as an artist. I anticipation it was so important that what bodies remembered about Elliott was his assignment and not his death. My ablution was on my own time.
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