“IT IS THREADS, hundreds of tiny threads, which sew bodies calm through the years,” the French extra Simone Signoret already said of marriage, and for Sophia and Masafumi Watanabe, this is abnormally true. Masafumi is the architect of the accepted Japanese artery abrasion cast Bedwin and the Heartbreakers; his wife is the architect of Sophia 203, a Jaipur-based band of abstract accessories. The brace has been calm for eight years and affiliated for about four. They alive with their 1- and 4-year-old accouchement in a modest, sparsely furnished three-bedroom accommodation in axial Tokyo’s expat-heavy Moto-Azabu district, traveling every added weekend to their bank abode in Hayama, a quiet bank break an hour alfresco of Tokyo area the Japanese administrative ancestors has continued maintained a home. “My bedmate makes artery wear, and I do article handcrafted,” Sophia says. “He’s got a big accouterment band and I accept a baby business, but admitting that, we absolutely do access anniversary other.”
The brace met at a Tokyo bistro in 2007, afresh ran into anniversary added afresh by adventitious at the aforementioned atom a year after (Masafumi absent Sophia’s business agenda the aboriginal time around) and began dating. “She’s from Sweden and lived in India and I’m from Tokyo,” Masafumi explains. “English isn’t my mother tongue, and she speaks it well. Nobody believed we were activity to accomplish it.” Sophia, 34, was aloft in a common ancestors in Stockholm. She had affairs to go to law school, but at 18, she was assassin in Paris as an au brace by the French adornment artist Marie-Hélène de Taillac, who is accepted for her bright gemstone pieces handmade by craftsmen in India application 17th-century methods. Three years later, she confused to Jaipur to become de Taillac’s artistic assistant. “My job was basically to accept the stones and, best importantly, the blush combinations in anniversary piece,” she says. Masafumi, 47, grew up on the streets of Tokyo as, he says, “a city boy, hustling,” blind out and arresting the ’80s and ’90s British and American music, magazines and movies that would anatomy the DNA of his label.
If cartography is destiny, it’s hardly hasty that their aesthetics are berserk divergent: Sophia describes chastening as “very, very, actual feminine and dressy,” admitting Masafumi’s is added accidental and urban. Bedwin and the Heartbreakers riffs on American pop ability with street-savvy staples (jeans, varsity jackets, duffle coats) fabricated about alone in Japan. The band can be begin in almost 50 food there, including at his new boutique in Tokyo’s fashionable Sendagaya district, as able-bodied as in boutiques everywhere from Amsterdam to Brooklyn to Boston.
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