It was one bewitched mix: men’s, women’s and pre-collection all calm on the runway, and seasonless to boot. Afterwards 10 years in business, Jonathan Anderson had capital to accomplish a change, casting his accumulating into the future, and it worked. He’ll be accomplishing two aerodrome shows from now on, with six artefact drops throughout the year. End of story.
Backstage afterwards the appearance he said he was attractive on the ablaze side. “We charge to go advanced in an optimistic way, to change things, to accomplish them agitative again. We’re award that a lot of women are affairs men’s — and vice-versa — and for me it was about how do we compatible everything, bind it up together.”
The accumulating had a modest, naïve feel to it with long, drop-waist dresses, swingy handkerchief hemlines, channelled or pleated fabrics, cockle capacity and light, fluttery layers done in an aboriginal J.W. paisley arrangement of yore, or in cream, babyish dejected or pink.
It was a big accumulating with knits, some belted with blubbery fringes, and others with fat doughnut shapes at the wrist and edges, jostled alongside amazing sleeveless dresses with electric-bright sequined panels. Lightly bedlam arroyo coats, including one with sailor-style collar, stood shoulder-to-shoulder with affection burden dresses and added zip-back ones with ruffles bubbles about the bottom.
All of that optimism agitated into prints and accessories, too, with Anderson bustling blush doughnut key chains assimilate belt loops, and pompoms with bunny aerial assimilate sweatshirts. Little knitted neckties swung from sweaters that were printed with shirts. The artist is acutely accepting fun with clothes, and it charmed.
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