Wisteria violet, claret red and jet atramentous were the capital colors of Japanese artist Maiko “Mame” Kurogouchi’s additional presentation in Paris. “This season, I got afflatus from Shoen Uemura, who corrective adroit Japanese women in circadian life,” Kurogouchi said backstage. The lavender hues akin the exact tones of Uemura’s paintings, while annual prints were crafted to mirror the feel of apprenticed flowers in a claimed diary.
The accumulating was regal. Long kimonos with atramentous edges and red glassy scarves angry about waists were abundantly oriental, while beauteous atramentous and gold atramentous dresses seemed fit for an alien Bond girl. A affected white tie-front long-sleeve dress was blooming with chicken printed flowers, its neckline covered by a allotment of abstract gauze. Hemlines trailed poetically in the models’ wake.
For the designer, who accomplished at Bunka appearance academy in Tokyo and formed three years at the Issey Miyake studio, aggregate was key. A arduous brim added ability to a brace of trousers, a circumscribed nylon anorak abstract amateur and a biscuit covering draped altogether over the silhouette, attached on the hip with a atramentous cottony tie. At aboriginal glance, the covering shimmered like velvet. It was absolutely fabricated of the softest cotton, abstract with nylon annual patterns that bent the light.
The models wore simple atramentous sandals and agitated PVC handbags. Some of them bore a blood-soaked award about their neck, a bequest to acceptable Japanese anniversary attire. While Kurogouchi’s antecedent accumulating featured a few denim pieces, the bounce 2019 offering’s focus on ultra luxe abstracts acquainted a little beneath contemporary. But the all-embracing feel was dreamy.
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