Roy Halston Frowick, fashion’s angel in the ’70s, was the man who gave us Ultrasuede shirtdresses, aqueous jersey check dresses (and yes, jumpsuits) and who dressed Liza, Bianca and Nan. He was 57 aback died in San Francisco in 1990 from an AIDS-related cancer.
But his designs alive on, and about 20 aboriginal dresses, coats, and gowns are on affectation at the Union Square Neiman Marcus through Oct. 23, in a mini-costume display curated by New York’s Metropolitan Museum of Art.
The aperture night affair on Thursday brought Vogue’s editor-at-large Andre Leon Talley, who was acceptable accompany with the man. “He was generous, witty, very, actual apprenticed and highly, awful refined,” Talley remembered. “His clothes were an antitoxin to the austere fashions of the time. A chicken cashmere sweater dress was easy, and glamorous.”
(It was Talley’s altogether and a appropriate cake, busy with a replica of a Vogue cover, was presented to him).
The Halston characterization has struggled to acquisition its way aback into hipness, activity through assorted owners and designers. Then Harvey Weinstein stepped in, but afresh yet addition artist bit the dust. The accepted accumulating was accomplished by an centralized team.
The acceptable news: A year ago, the Halston athenaeum did not exist. But Atul Pathak, Halston’s VP of business — who paid a appointment to the Union Square abundance on Thursday night — has been on a mission to clue bottomward and buy aback as abounding aboriginal Halstons as possible. “In a year we went from aught to about 400.”
Shirtwaist and tank-style dresses in arenaceous rose, mauve, gray and dejected from the accepted Fall 2008 accumulating were for sale.
But they couldn’t compete, and got a blood-warm accession — all the absorption was on the originals.
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