By Robert Muller
PRAGUE (Reuters) – A long-lost agreement by Wolfgang Amadeus Mozart and Antonio Salieri was performed for the aboriginal time on Tuesday afterwards a musicologist apparent the allotment in the assets accumulating of the Czech civic music museum.
The allotment additionally appears to appearance the animosity amid the two was not abnormally angry and provides added affirmation that Salieri played no role in Mozart’s afterlife in 1791 at the age of 35, the comedy and Oscar-winning blur “Amadeus” suggested.
The collaborative account was accounting in 1785, during one of the best abounding periods of Mozart’s career back he composed some of his best-known pieces, including the operas “Don Giovanni” and “The Magic Flute.”
“We all apperceive the account fatigued by the cine `Amadeus’. It is false,” said Ulrich Leisinger, administrator of analysis at the Mozarteum Foundation Salzburg. “Salieri did not adulteration Mozart, but they both formed in Vienna and were competitors.”
The piece, blue-blooded “Per la Ricuperata Salute di Ofelia” (“For the recovered bloom of Ophelia”), was accounting to bless the accretion of a English accompanist who had performed pieces by Mozart and Salieri, building admiral said. It is cryptic whether it was anytime performed in accessible afore today, they said.
“Here we accept a short, not great, allotment by Mozart, but at atomic article that absolutely sheds new ablaze on his circadian activity as an opera artisan in Vienna,” Leisinger said.
German artisan and musicologist Timo Jouko Herrmann apparent the assignment aftermost November while analytic for pieces by Salieri’s acceptance in the archive of the Czech Building of Music.
The piece’s fate afterwards Mozart and Salieri wrote it is unclear, but it came to the Czech Building of Music in 1950s accustomed the names of Mozart and Salieri in a affectionate of signature cipher accepted at the time, said Michal Lukes, administrator of the Czech Civic Museum.
That fabricated it about absurd to character the composers until the building digitized its collection, acceptance Herrmann to analyze through a huge database to ascertain the collective accomplishment that had been sitting unnoticed.
During the achievement in a ample anteroom in the above Baroque abbey that now houses the Czech Music Museum, a harpsichordist played the abbreviate and upbeat allotment to the contentment of a few dozen bodies audition music that apparently has not been performed in hundreds of years.
“To apprehend a collective allotment by Mozart and Salieri … absent for added than 200 years, is an amazing experience,” Lukes said.
(Writing by Michael Kahn, alteration by Larry King)
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