Cédric Charlier took advantage of the French capital’s Indian summer to date his appearance in the courtyard of the Belgian ambassador’s abode in Paris — admitting the amplitude was missing the abundant frondescence on his appearance invitation.
Instead, the greenery sprouted on a puff-sleeved zippered jacket, or kick-flared circumscribed pants, in an abstract jacquard that melded a 19th-century parrot and pineapple book with tufts of chicken chaplet and hand-drawn odalisques. The bizarre aggregate was built-in in Naples, area he advised the collection.
“It’s a country I like to appointment for assignment and for pleasure,” said Charlier, whose collections are produced by the Italian appearance accumulation Aeffe. “I capital to allocution about Italy, about what I felt, additionally about the Renaissance.”
Hence the smocked anorak and billowing striped shirts with channelled sleeves, admitting their actual association was not anon evident. Archeological references translated into a clear band book that appeared on aggregate from a sensually draped sundress to a adult short-sleeved shirt.
Charlier brought his androgynous leanings into the mix via workwear accents, such as the hickory-striped affection acclimated for a agitating dress that ambiguous accessible to acknowledge an Adonis-print cottony underskirt. The clothing shapes were beneath convincing, with their Chaplin-esque aggregate of ashen jackets and hyper-baggy pants.
Italian, Belgian, French: Ultimately, it didn’t amount area the accumulating came from. These able and wearable clothes had accepted appeal.
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