The Oculus at the Westfield Apple Trade Center in New York City got a bewitched makeover from Oct. 21 to Oct. 23 back the tetrad of worlds from Disney’s The Nutcracker and the Four Realms — the Land of Snowflakes, Land of Flowers, Land of Sweets, and the abstruse Fourth Realm — emerged as a maze-like adventure. Two stars of the film, Mackenzie Foy, who plays Clara, and Misty Copeland, who plays The Ballerina, acquiescently came forth for the immersive experience.
Foy and Copeland sat bottomward with POPSUGAR in the Land of Sweets to allocution about the action over the accessible movie. Afore the account began, Copeland kicked off her alluringly bizarre heels to accomplish herself added comfortable. Rather than sitting in a row on one of the billowing bonbon benches, she appropriately plopped on the arena so that all three of us could accomplish a amphitheater while we talked. “It’s OK, I like to be on the floor!” she assured me with a smile back I looked visibly abashed about a ballet figure accomplishing an account sitting on the ground.
Meanwhile, Foy affably perched herself on a blue-swirled bonbon seat, bright-eyed and acquisitive to acknowledgment questions. This faculty of activity ability accept article to do with Foy’s adulation for the actual aggregation she’s been a allotment of through this film. “I’m a huge Disney fan, so actuality able to be in a Disney cine abandoned is aloof awesome,” she said. But that’s alone one acumen why the 17-year-old extra seems so aflame about The Nutcracker remake. Her appearance and the movie’s heroine, Clara, is additionally addition Foy came to acknowledge for her bravery, kindness, and curiosity. “She’s not abashed to be unapologetic of herself,” Foy added. “She’s not abashed to be a artisan and be the hero, but still abrasion a dress and heels.”
Copeland feels a agnate affiliation with her character. In fact, The Nutcracker was the aboriginal ballet she danced in back she was aloof 13-years-old. “I aloof feel like my life’s affectionate of appear abounding circle,” she said. The befalling to comedy such a big role holds addition appropriate acceptation a and baby to Copeland’s heart. Touching on the accent of representation, decidedly in the apple of ballet, she addendum that she doesn’t actually fit the accepted accepted acumen of what ballerinas attending like. But with her landing a cogent allotment in the a accommodate of a archetypal tale, she can be the one who helps change the landscape.
“This is activity to be article that lives on in this film,” she said. “That bodies will attending at this amber ballerina, and it won’t be a amber ballerina. It’ll aloof be, ‘That’s a ballerina. That’s what a ballerina looks like.'”
Despite this actuality Copeland’s aboriginal above motion picture, one attending at her in the film’s bivouac will acquaint you that she’s still in her aspect back it comes to bringing the adorableness of ballet to life. With acicular toes and alluringly aqueous movements, she advisers an affected white tulle dress that’s aloof one of the abounding busy apparel admirers can apprehend to see. Evidently, the costuming was yet addition fun acquaintance for both Foy and Copeland.
“The apparel were actually beautiful,” Foy said. “And there’s so abundant detail that went into the petticoats and the corsets. They duke absolute the tights, and they duke absolute the shoes. Every little inch of these apparel was nitpicked and perfected. It was aloof actually admirable to be in them and be in the amethyst affair dress, with the bustle and the little roses and sparkles on it, and aloof run through the realms and go on an adventure. It was amazing.”
Copeland was additionally in awe of the abundant attire. “It was beauteous to see live,” she said. “I anticipate that one of my favorites was absolutely Keira Knightley as a Sugar Plum Fairy.”
In a abridge (pun intended), Foy and Copeland are both appreciative to be a allotment of the Disney magic.
“There’s bags of those pinch-me moments,” Foy said, afore canonizing how assembly brought the artistic apple to life. “They abounding the soundstage with absolute copse and absolute dirt. It was massive. And they had brought in the snow, and they congenital courtyards with a alive portcullis. They had a alive portcullis — it’s crazy! There’s bags of moments area it was like, ‘Wow. We’re authoritative the fantasy world.'”
Still, abaft such bright spectacles and set designs is a chance that will booty admirers on a chance added circuitous than any added Nutcracker rendition. “It’s not as ablaze and apparent as the ballet story,” Copeland said. “It’s affectionate of digging added into these characters. It’s like addition dimension.”
Watch Foy and Copeland commence on the chance back The Nutcracker and the Four Realms hits theaters on Nov. 2.
Image Source: Getty / Dia Dipasupil
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